According to Osho, Hanumana’s dance signifies disciplined, obedient devotion—movement that remains within Rama’s command. It is the “garden” dance: manageable, controlled, valuable for order but not the boundless, explosive freedom Osho prizes. By contrast with Meera’s uncontrollable ecstasy, Hanumana embodies devotion through rule and duty, highlighting the difference between structured spirituality and unbridled, transformative abandon.
Hanumana’s dance is the safe, disciplined kind—done under Rama’s control—unlike Meera’s wild, rule-free dance.