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Osho Meditation: Khajuraho: The Devices for Meditation

Khajuraho: The Devices for Meditation

Khajuraho: The Devices for Meditation is a classical Tantric method embedded in the sacred architecture of India—Khajuraho, Konarak, Puri, Ajanta, Ellora, Elephanta. The outer walls teem with exquisitely carved erotic figures; the inner sanctum...

Category: Tantra Duration: Variable. Remain with the first stage until neutrality is natural—this may take days, months, or years—then sit inside for unstructured periods.

Khajuraho: The Devices for Meditation is a classical Tantric method embedded in the sacred architecture of India—Khajuraho, Konarak, Puri, Ajanta, Ellora, Elephanta. The outer walls teem with exquisitely carved erotic figures; the inner sanctum is bare, cool, and silent. This dramatic contrast is not pornography but a skillful device: the outer imagery draws forth the repressed layers of sexuality and dreamlike fantasy; the inner emptiness receives a mind that has become unburdened, clean, and weightless. The sculptures are not an invitation to indulge but a mirror to exhaust projection. By meditating among them, one allows the unconscious to surface and settle without suppression or enactment.

The traditional rule is simple and uncompromising: sit with the statues in silence until they no longer stir sensuality—until they appear as empty walls. When you feel this, or your master confirms it, the door to the interior opens. Inside there is nothing to see, only a cool, peaceful milieu resonant with the meditation of centuries. Here, without object or method, you rest in a silence “full of beauty and song.” This twofold passage—from charged form to unprovoked stillness—is the Tantric alchemy at the heart of Khajuraho’s temples.


Phase Instructions

First Stage: Outer Tantric Catharsis

Choose a temple whose outer walls carry erotic sculptures (Khajuraho, Konarak, Puri, Ajanta, Ellora, Elephanta). Go at a time when the light is dim and soft; sit where hundreds of statues quietly surround you. Keep the body still and the eyes gently open. Breathe naturally. Do not chant, analyze, or avert your gaze—simply meditate on the naked forms by remaining silently present with them. Allow whatever arises—arousal, memories, fantasies, shame, condemnation, curiosity—to surface and pass. Do not act out, and do not suppress; witness. Let dreams you have known in sleep show themselves in wakefulness. Return to this sitting again and again, for as long as needed, even for years. The criterion for completion is precise: when you feel (or your master sees) that the sculptures no longer create sexuality or sensuality in you—when they appear as if the walls were empty, the charge exhausted, the psyche clean—that is the signal. Only then proceed.

Second Stage: Entering the Interior — Objectless Silence

When neutrality is stable, enter the temple’s inner sanctum. Inside, there is nothing—no erotic figures—only a cool, peaceful milieu vibrated by centuries of meditation. Sit comfortably, spine easy, eyes closed or softly lowered. Do nothing. No image, no mantra, no effort. Let the mind rest in its own weightlessness. Abide as the inner door opens by itself, and taste the silence that is full of beauty and song. Remain as long as it is effortless. When complete, leave quietly, carrying the unprovoked stillness within you.

Core Benefits

  • Allows the unconscious to surface and settle without suppression.
  • Transforms repressed sexuality and fantasies into neutral observations.
  • Encourages a state of mind that is unburdened, clean, and weightless.
  • Facilitates a passage from sensory overload to unprovoked stillness.
  • Offers a silent, peaceful milieu resonant with historic meditation vibrations.

What Osho Said About This Technique

From Sex To Superconsciousness · Discourse 5
1968-10-01 · Gowalior Tank Maidan · English
As far as Freud is concerned, I wish to explain to this particular friend that it is quite probable Freud was not aware of what I am telling you here. Freud was one of the few seers who guided mankind in the direction of sexual liberation, but he had no idea whatsoever that spiritual sex existed. The knowledge Freud systematized was that of sick sex; his research was with the pathological. Freud was a kind of doctor and his discoveries were used like treatments, doled out to sick people. Freud hadn't studied normal, healthy sex. He was a research scholar dealing in sickness, in perversion, and his mind was primarily set on treatment, on cure. Therefore, if you are bent on confirming the truthfulness of what I say, you will have to turn to the philosophy of Tantra.
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Light On The Path · Discourse 16
1986-01-17 · Kathmandu, Nepal · English
Question: BELOVED OSHO, YOU HAVE BEEN USING THE KEY WORD "DEPROGRAMMING" TO DESCRIBE YOUR WORK. THE TECHNIQUES THAT YOU HAVE SUGGESTED DURING THESE YEARS, GO FROM CHAOTIC AND DYNAMIC MEDITATION TO THE MODERN THERAPEUTIC SCHOOL. I WOULD LIKE YOU TO EXPLAIN IN BRIEF WHY YOU HAD TO CREATE NEW MEDITATION TECHNIQUES LIKE KUNDALINI MEDITATION OR DYNAMIC MEDITATION, EVEN THOUGH THERE IS A TRADITION ALREADY INCLUDING HUNDREDS OF TECHNIQUES FROM YOGA, SUFISM, BUDDHISM ETC. WHAT IS ALSO SURPRISING TO THE WEST IS THAT YOU ARE USING THERAPIES SUCH AS GESTALT, PRIMAL, ENCOUNTER, IN YOUR COMMUNE. IS IT REALLY NECESSARY? THE SUSPICION IS THAT YOUR SECRET INTENTIONS ARE NOTHING BUT TO BRAINWASH PEOPLE'S MINDS, AND THAT CANNOT BE TOLERATED BECAUSE YOU ARE TOUCHING THE MOST PRECIOUS THING THEY HAVE. Just in Khajuraho there were one hundred temples; only thirty have survived, seventy have been destroyed by Mohammedans.
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Have their levels become one? Yes. The moment consciousness reaches a single plane, everything becomes one. To put it properly: their faces became the same; there was no difference among the faces. The eyes may have remained different, but what began to look out through them—the seer—became one. The lips may have remained different, but the speech that began to flow became one. Within, everything became one.

Kama is the outer wall of life; Ram is enshrined within. So long as you are entangled in kama, you cannot go within. But if someone keeps circling and looking at all those copulation figures—how long can one go on looking? He tires, he becomes bored; then he says, “Now the temple—let’s go inside.” And inside he finds great rest, because another world begins there. So when, in the endless journeys of life, we tire of the life of sex—wandering outside and outside—one day the mind will say: enough now; enough seen, enough enjoyed; now, let us go within. This fact some carved and left in stone—those who knew, left it. From the experience of Tantra it became clear to them: there are only two kinds of life—either of kama or of Ram. And kama is the outer wall of Ram’s temple. So it is not that kama is the…
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Hidden Mysteries · Discourse 2
1971-06-06 · Woodlands, Bombay, India · English
So the secret places about which I am talking have their doors and there are methods through which one can enter them. There are arrangements and special inner spiritual conditions for reaching there. All the rooms and halls of the pyramids have been built in accordance with certain pre-determined measurements. You may have experienced sometimes that where a roof is set rather low, although it does not touch you, you feel that something within you is compressed, contracted. Nothing actually compresses you, but within you something feels compressed. When you enter a place where the ceiling is very high, you have a feeling of something expanding within. The measurements of a room can be calculated in such a way that meditation becomes very easy for you. The exact measurements for a room that makes meditation most easy were determined after experimentation.
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Sambhog Se Samadhi Ki Oar · Discourse 5
1968-10-01 · Bombay · Hindi

A friend has asked one more thing in this regard. He asks: Osho, we cannot regard you as any authority, any authentic person, on sex. We came to ask you about God, and you started talking about sex. We came to hear about God. So please tell us about God!

A man was taken to a psychologist. He worked in an office, and he was very upset with his boss. Whatever the boss said felt like an insult, and he felt like taking off his shoe and hitting him. But how can you hit the boss with a shoe? Though it would be hard to find a servant who never thought, “Let me take off my shoe and hit him.” Such a servant is rare. If you are a boss, you know it; if you are an employee, you also know it—that being a servant hurts deeply, and one feels like taking revenge. But if the servant could take revenge, he wouldn’t be a servant. So the poor fellow keeps suppressing and suppressing. His condition became so bad that he feared, “Someday, in a fit, I may actually hit him.” So he started leaving his shoes at home. But all…
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Common Questions

What is the purpose of the erotic figures on the outer walls?

The erotic figures are meant to draw forth repressed layers of sexuality and fantasy, acting as a mirror to exhaust projections rather than an invitation to indulge.

How long should one meditate with the statues?

One should sit with the statues in silence until they no longer stir sensuality and appear as empty walls. This duration can vary for each practitioner.

What happens after achieving stillness with the statues?

Once stillness is achieved, either felt by the practitioner or confirmed by a master, the meditation transitions to the interior, which offers a cool and peaceful ethos for deeper silence.

Is a specific method or object needed for the meditation inside the sanctum?

No specific method or object is required; the meditation inside the sanctum involves resting in silence that is 'full of beauty and song.'

What is the significance of the inner empty sanctum?

The inner sanctum, being empty and cool, symbolizes the mind's passage to a state of unprovoked stillness, a key aspect of the Tantric alchemy in this meditation practice.