Traditional Techniques Meditation The Art Of Ecstasy #18

Questions in this Discourse

QUESTION: WHEN I MEDITATE I USUALLY REPEAT A MANTRA OR A NAMOKAR, BUT THE MIND REMAINS RESTLESS. HOW CAN ONE BEST OCCUPY ONE'S MIND WHILE MEDITATING?
The need to occupy time is the need of the nonmeditative mind, so you should first understand why you have this need. Why can't you be unoccupied, what is this need to be occupied constantly? Is it just an escape from yourself?

The moment you are unoccupied you have only yourself, you fall back on yourself. That is why you have to be occupied. This need to be occupied is just an escape, but this is a necessity for the nonmeditative mind.

The nonmeditative mind is constantly occupied with others. When others are not there, then what is to be done? You do not know how to be occupied by yourself. You are not even aware that you can live with yourself. You have always lived with others and others and others, so now, in meditation, when you are not with others and you are alone -- though it is not really being alone -- you begin to feel lonely. Loneliness is the absence of others; aloneness is the presence of oneself.

You begin to feel lonely, and you have to be filled with something. A namokar can do that; anything can do that. But unless you have a meditative mind, if you continue a namokar or any other repetition it is just a crutch and it has to be thrown.

If you are doing something of this sort, it is better to use a one-word mantra, such as rama or aum, than something long like a namokar. With one word you will feel less occupied than with many words, because with the changing of words, the mind also changes. With one word you will be bored, and boredom is good because then it is easy to drop the whole thing at some point. So rather than using a namokar, it is better to use one word, and if you can use a word that is meaningless it is still better, because even the meaning becomes a distraction.

When you have to throw something out, then you should be aware that you have to throw it. You must not be too attached to it. So use one word, one thing, something that is meaningless -- for example, hoo. It has no meaning. Aum is basically the same, but it has begun to have meaning now because we have been associating it with something divine.

The sound should be meaningless, just a meaningless word. It must not convey anything, because the moment something is conveyed the mind is fed. The mind is fed not by words but by meanings. So use some word like hoo; it is a meaningless sound.

And, really, hoo is more than a meaningless sound, because with hoo an inner tension is created. With the sound hoo something is being thrown out. So use a word that is throwing something out, which is throwing you out, not one which is giving you something.

Use hoo. With hoo you will feel that something is being thrown out. Use the word when the breath is going out and then make the incoming breath the gap. Balance it: hoo, then the incoming breath as the gap... then again, hoo. The word should be meaningless; it should be a sound rather than a word. And emphasize the outgoing breath. The word, the sound, has to be thrown in the end, so it should not be taken with the ingoing breath.

This is very subtle. Just throw the sound out as if you are throwing out some excreta, as if you are throwing something out of you; then it cannot become food. Remember always, and remember deeply, that anything which goes in with the ingoing breath becomes food -- anything, even a sound, becomes food -- and everything which goes out with the outgoing breath is excreta. It is just thrown out. So with the ingoing breath, always be vacant, empty; then you are not giving the mind any new food.

The mind is taking in subtle foods even with sounds, words, and meanings -- with everything. Experiment with this. When you are feeling sexual, when you are in a sexual fantasy, use this hoo with the outgoing breath. Within moments you will feel beyond sex, because something is being thrown out, a very subtle thing is being thrown out. If you are angry then use this sound, and within seconds there will be no anger.

If you are feeling sexual and you use this same sound with the ingoing breath, you will feel more sexual. If you are feeling angry and you use this same hoo with the ingoing breath, you will feel more angry. Then you will become aware of how even a simple sound affects your mind, and how it affects it differently with the ingoing breath or the outgoing breath.

When you see someone beautiful, lovely, someone who is your beloved, and you want to touch her body, touch it with the outgoing breath and you will feel nothing; but touch her with the ingoing breath and you will feel a fascination. With the ingoing breath the touch becomes a food, but with the outgoing breath it is not a food at all. Take someone's hand in yours and only feel the hand with the ingoing breath. Let the outgoing breath be empty. Then you will know that touch is a food.

That is why a child who has been raised without a mother, or who has not been touched and fondled by his mother, is lacking something. He will never be able to love anyone if he has not been touched and fondled and cuddled by his mother, because that subtle touch is food for the child. It creates many things in him. If no one has touched him lovingly, he will not be able to love anyone, because he doesn't know what "food" is lacking, that some vital thing is lacking.

So I do not say not to touch a woman. I say, "Touch, but with the outgoing breath." And when the ingoing breath is coming, just be aware, be in the gap; do not feel the touch. Go on touching, but do not feel the touch.

Be aware of the sensation when the breath is going out and then you will be aware of the secret of breath -- why it has been called prana, the vital force. Breath is the most vital thing. If you eat your meal with an emphasis on the outgoing breath, then no matter how good the food is it will not be a food for your body. Even if you eat very much, there will be no nutrition if your emphasis is on the outgoing breath. So eat with the ingoing breath and let there be a gap when the breath is going out. Then, with a very small quantity of food, you can be more alive.

Remember this sound hoo with the outgoing breath. It destroys the restlessness of the mind. But this, too, is a crutch and soon, if you are doing meditation regularly, you will feel that there is no need for it. And not only is there no need, but it will become a disturbance, a positive disturbance.

To be unoccupied is one of the most beautiful things in the world, to be unoccupied is the greatest luxury. And if you can afford to be unoccupied, you will become an emperor. It is out of those moments when we are occupied that sometimes there will come a moment when we are unoccupied -- totally unoccupied. It is not only unnecessary to go on being occupied all the time; in the end it becomes harmful.

It is madness to destroy an unoccupied state, because that is the very moment that you enter into timelessness. With occupation you can never transcend time, with occupation you can never transcend space. But if you are unoccupied, totally unoccupied -- not even occupied with yourself, not even meditating: you just are -- that is the moment that is the peak moment of spiritual existence, of bliss. That is satchitananda.

The first part of the word is sat. It means existence; you are just existing. Then you become conscious of this existence -- not only conscious, you become consciousness, chit and existence both. Existence becomes consciousness... and bliss, ananda, follows.

It is not just a feeling; you become bliss, existence, and consciousness simultaneously. We use three words because we cannot express it in one word. You are all three simultaneously.

So look forward to the unoccupied moments. You can use crutches, such as a mantra, but do not be happy about it -- and know that ultimately they must be thrown.

A TECHNIQUE OF VISUALIZATION

Mind itself means projection, so unless you transcend the mind, whatever you come to experience is projection. Mind is the projecting mechanism. If you experience any visions of light, of bliss, even of the divine, these are all projections. Unless you come to a total stopping of the mind you are not beyond projections; you are projecting. When mind ceases, only then are you beyond the danger. When there is no experience, no visions, nothing objective -- the consciousness remaining as a pure mirror with nothing reflected in it -- only then are you beyond the danger of projections.

Projections are of two types. One type of projection will lead you to more and more projection. It is a positive projection; you can never go beyond it. The other type of projection is negative. It is a projection, but it helps you to go beyond projections.

In meditation you use the projecting faculty of the mind as a negative effort. Negative projections are good: it is just like one thorn being pulled out by another thorn or one poison being destroyed by another poison. But you must be constantly aware that the danger remains until everything ceases, even these negative projections, even these visions. If you are experiencing something, I will not say it is meditation; it is still contemplation, it is still a thought process. However subtle, it is still thinking. When only consciousness remains with no thought -- just an unclouded, open sky -- when you cannot say what "I" am experiencing, this much can be said: I am.

The famous maxim of Descartes, "Cogito ergo sum -- I think; therefore, I am," in meditation becomes "Sum ergo sum -- I am; therefore, I am." This "I am-ness" precedes all thinking; you are before you think. Thinking comes later on; your being precedes it, so being cannot be inferred from thinking. You can be without thinking, but thinking cannot be without you, so thinking cannot be the basis upon which your existence can be proved.

Experiences, visions, anything felt objectively, is part of thinking. Meditation means total cessation of the mind, of thinking, but not of consciousness. If consciousness also ceases, you are not in meditation but in deep sleep; that is the difference between deep sleep and meditation.

In deep sleep projection also ceases. Thinking will not be there, but simultaneously, consciousness will also be absent. In meditation projections cease, thinking ceases, thoughts are no more there -- just like in deep sleep -- but there is consciousness. You are aware of this phenomenon: of total absence around you, of no objects around you. And when there are no objects to be known, felt and experienced, for the first time you begin to feel yourself. This is a nonobjective experience. It is not something that you experience; it is something you are.

So even if you feel the divine existence, it is a projection. These are negative projections. They help -- they help, in a way, to transcend -- but you must be aware that they are still projections, otherwise you will not go beyond them. That is why I say that if you feel you are encountering bliss you are still in the mind, because duality is there: the duality of the divine and the nondivine, the duality of bliss and nonbliss. When you really reach to the ultimate you cannot feel bliss, because nonbliss is impossible; you cannot feel the divine as divine because the nondivine is no more.

So remember this: mind is projection, and whatever you do with the mind is going to be a projection. You cannot do anything with the mind. The only thing is how to negate the mind, how to drop it totally, how to be mindlessly conscious. That is meditation. Only then can you know, can you come to know, that which is other than projection.

Whatever you know is projected by you. The object is just a screen: you go on projecting your ideas, your mind, upon it. So any method of meditation begins with projection -- with negative projection -- and ends with nonprojection. That is the nature of all meditation techniques, because you have to begin with the mind.

Even if you are going toward a state of no mind, you have to begin with the mind. If I am to go out of this room, I have to start by going into the room; the first step must be taken in the room. This creates confusion. If I am just going in a circle in the room, then I am walking in the room. If I am going out of the room, then again I have to walk in the room -- but in a different way. My eyes must be on the door and I must travel in a straight line, not in a circle.

Negative projection means walking straight out of the mind. But first, you have to take some steps within the mind.

For example, when I say "light," you have never really seen light. You have only seen lighted objects. Have you ever seen light itself? No one has seen it; no one can see it. You see a lighted house, a lighted chair, a lighted person, but you have not seen light itself. Even when you see the sun you are not seeing light. You are seeing the light returned.

You cannot see light itself. When light strikes something, comes back, is reflected, only then do you see the lighted object and because you can see the lighted object, you say there is light. When you do not see the lighted object, you say it is dark.

You cannot see pure light, so in meditation I use it as a first step -- as a negative projection. I tell you to begin to feel light without any object. Objects are dropped, there is just light. Begin to feel light without any objects.... One thing has been dropped, the object, and without the object you cannot continue to see light for a long time. Sooner or later the light will drop, because you have to be focused on some object.

Then I tell you to feel bliss. You have never felt bliss without any object; whatever you know as happiness, bliss, is concerned with something. You have never known any moment of bliss that is unconcerned with anything. You may love someone and then feel blissful, but that someone is the object. You feel blissful when you listen to some music, but then that music is the object. Have you ever felt a blissful moment without any object? Never! So when I say to feel blissful without any object, it seems to be an impossibility. If you try to feel blissful without any object, sooner or later the bliss will stop, because it cannot exist by itself.

Then I say to feel divine presence. I never say, "Feel God," because then God becomes an object. Have you ever felt presence without someone being present there? It is always concerned with someone: if someone is there, then you begin to feel the presence.

I drop that someone totally. I simply say: feel the divine presence. This is a negative projection. It cannot continue for long because there is no ground to support it; sooner or later it will drop. First I drop objects, and then, by and by, projection itself will drop. That is the difference between positive and negative projection.

In positive projection the object is significant and the feeling follows, while in negative projection the feeling is important and the object is simply forgotten, as if I am taking the whole ground from under your feet. From within you, below you, from everywhere, the ground has been taken and you are left alone with your feeling. Now that feeling cannot exist; it will drop. If objects are not there, then the feelings that are directly connected to objects cannot continue any longer. For a while you can project them, then they will drop. And when they drop you alone remain there -- in your total aloneness. That point is the point of meditation; from there meditation begins. Now you are out of the room.

So meditation has a beginning in the mind, but that is not real meditation. Begin in the mind, so that you can move toward meditation, and when mind ceases and you are beyond it, then real meditation begins. We have to begin with the mind because we are in the mind. Even to go beyond it, one has to use it. So use the mind negatively, never positively, and then you will achieve meditation.

If you use the mind positively, then you will only create more and more projections. So whatever is known as "positive thinking" is absolutely anti-meditative. Negative thinking is meditative; negation is the method for meditation. Go on negating to the point where nothing remains to be negated, and only the negator remains; then you are in your purity, and then you know what is. Everything that is known before that is just the mind's imaginings, dreamings, projections.

TO DIE CONSCIOUSLY

Meditation means surrender, total letting go. As soon as someone surrenders himself he finds himself in the hands of divinity. If we cling to ourselves we cannot be one with the almighty. When the waves disappear, they become the ocean itself.

Let us try some experiments in order to understand what is meant by meditation.

Sit in such a way that no one touches you. Close your eyes slowly, and keep your body loose. Relax completely so that there is no strain, no tension in the body at all.

Now imagine that a river is flowing very fast, with tremendous force and sound, between two mountains. Observe it and dive in... but do not swim. Let your body float without any movement. Now you are moving with the river -- just floating. There is nowhere to reach, no destination, so there is no question of swimming. Feel as if a dry leaf is floating effortlessly in the river. Experience it clearly so that you can know what is meant by "surrender," by "total letting go."

If you have understood how to float, now discover how to die and how to be dissolved completely. Keep your eyes closed, let your body become loose and relax completely. Observe that a pyre is burning. There is a pile of woodsticks that have been set afire and the flames of the pyre seem to be reaching toward the sky. And remember one more thing: you are not just observing the burning pyre, you have been placed on it. All your friends and relatives are standing around.

It is better to experience this moment of death consciously, as one day or the other it is sure to come. With the flames growing higher and higher, feel that your body is burning. Within a short while the fire will be put out by itself. People will disperse and the cemetery will be empty and silent again. Feel it, and you will see that everything has become quiet and nothing but the ashes remains. You have dissolved completely. Remember this experience of being dissolved, because meditation is also a kind of death.

Keep your eyes closed now and relax completely. You do not have to do anything. There is no necessity to do anything: before you were, things were as they are, and they will be the same even after you die.

Now feel that whatever is happening is happening. Feel the "suchness" of it. It is so: it can only be this way; there is no other way possible, so why resist? By "suchness" is meant "no resistance." There is no expectation that anything be other than what is. The grass is green, the sky is blue, the waves of the ocean roar, birds sing, crows are crowing.... There is no resistance from you because life is such. Suddenly a transformation takes place. What was normally considered to be a disturbance now seems to be amiable. You are not against anything; you are happy with everything as it is.

So the first thing you had to do was to float, rather than swim, in the ocean of existence. For one who is ready to float, the river itself takes him to the ocean. If we do not resist, life itself takes us to the divinity.

Secondly, you had to dissolve yourself, rather than save yourself, from death. What we want to save is sure to die, and what is going to be there eternally will be there without our effort. The one who is ready to die is able to open his doors to welcome the divinity, but if you keep your doors closed -- because of the fear of death -- you do so at the cost of not attaining divinity. Meditation is to die.

The last thing you had to experience was "suchness." Only an acceptance of both the flowers and the thorns can bring you peace. Peace, after all, is the fruit of total acceptance. Peace will come only to him who is ready to accept even the absence of peace.

So close your eyes, let your body be loose, and feel as if there is no life in the body. Feel as if your body is relaxing. Go on feeling this, and within a short time you will know that you are not the master of the body. Every cell, every nerve of the body will feel relaxed -- as if the body does not exist. Leave the body alone as if it is floating on the river. Let the river of life take you anywhere it wants to, and float upon it just like a dry leaf.

Now feel that your breath is gradually becoming quiet, silent. As your breathing becomes silent, you will feel that you are being dissolved. You will feel as if you are on the burning pyre, and you have been burnt completely. Not even ashes have remained.

Now feel the sound of the birds, the sun's rays, the waves of the ocean, and just be a witness to them -- receptive and yet aware, watchful. The body is relaxed, breathing is silent, and you are in "suchness"; you are just a witness to all this.

Gradually you will feel a transformation within, and then suddenly something will become silent inside. The mind has become silent and empty. Feel this: be a witness to it, and experience it. The river has taken away your floating body, the pyre had burnt it, and you have been a witness to it. In this nothingness, a blissfulness enters which we call divinity.

Breathe slowly two or three times now, and with each breath you will feel freshness, peace and a blissful pleasure. Now open your eyes slowly and come back from meditation.

Try to do this experiment nightly before going to bed and go to sleep right afterward. Gradually, your sleep will turn into meditation.

ENTERING SLEEP CONSCIOUSLY

The moment you are dropping into sleep is the moment to encounter the unconscious. You have been sleeping every day, but you have not encountered sleep yet. You have not seen it: what it is, how is comes, how to drop into it. You have not known anything about it. You have been going into sleep every night and awakening from sleep every morning, but you have not felt the moment when sleep comes, you have not felt what happens. So try this experiment, and after three months, suddenly, one day, you will enter sleep knowingly.

Drop on your bed, close your eyes, and then remember -- remember! -- that sleep is coming and you are to remain awake when it comes. This exercise is very arduous. The first day it will not happen, the next day it will not happen, but if you persist every day, constantly remembering that sleep is coming and you are not to allow it to come without being aware of it -- you must feel how sleep takes over, what it is -- then one day sleep will be there and you will still be awake.

That very moment you become aware of your unconscious. And once you become aware of your unconscious, you will never be asleep again. Sleep will be there, but you will be awake; a center in you will go on knowing. All around you there will be sleep and the center will go on knowing.

When this center is knowing, dreams become impossible; and when dreams become impossible, daydreams also become impossible. Then you will be asleep in a different sense; a different quality happens because of the encounter.

WORDLESS COMMUNICATION WITH EXISTENCE

You are looking at a flower: look at the flower, feel the beauty of it, but do not use the word beauty, not even in the mind. Look at it: let it be absorbed in you, go deeply into it, but do not use words. Feel the beauty of it, but do not say, "It is beautiful" -- not even in the mind. Do not verbalize and gradually you will become capable of feeling the flower as beautiful without using the word. Really, it is not difficult; it is natural.

You feel first and then the word comes, but we are so habituated to words that there is no gap. The feeling is there, but you have not even felt it before suddenly a word comes. So create a gap: just feel the beauty of the flower, but do not use the word.

If you can disassociate words from feelings, you can disassociate feelings from existence. Then let the flower be there and you be there, as two presences, but do not allow the feeling to come in. Do not even feel now that the flower is beautiful. Let the flower be there and you be there, in a deep embrace, without any ripple of feeling. Then you will feel beauty without feeling; you will be the beauty of the flower. It will not be a feeling: you will be the flower. Then you have existentially felt something.

When you can do this, then you will feel that everything has gone: thoughts, words, feelings. And then you can feel -- existentially.